Click here to watch R.H. THOMSON interview founding Artistic Director CHRISTOPHER NEWTON about Theatre Calgary.


As southern Alberta’s foremost professional non-profit theatre, Theatre Calgary presents an eclectic mix of productions that stimulate, provoke, and delight.


Theatre Calgary traces its origins to the 1960s grassroots movement for local professional theatre. The company formed from the city’s two most prominent amateur theatre groups: Workshop 14 and the Musicians’ and Actors’ Club. Workshop 14 had been founded in 1944 by students of local theatre pioneer Betty Mitchell and took its name from Mitchell’s drama classroom at Western Canada High School. The Musicians’ and Actors’ Club (fondly known as MAC) began as a social club in 1963, with meetings held the basement bar of the derelict Isis movie house on 1st St SW, but members soon took to staging short plays and musical revues in the upstairs hall. Under the leadership of Kenneth Dyba, the two groups merged in 1966 as MAC 14. Then, on July 1st, 1968, MAC 14 became Theatre Calgary, the city’s first fully professional theatre company. Christopher Newton, who would later lead the Shaw Festival for more than two decades, was appointed Theatre Calgary’s first artistic director.

The new company performed in the Betty Mitchell Theatre at the Allied Arts Centre, a converted tractor showroom at 9th Ave and 8th St SW that later became known as the QR Centre. In its first two decades, Theatre Calgary presented a mix of classic and new plays, including premieres by Canadian writers such as John Murrell, W.O. Mitchell, and Sharon Pollock. In 1985, Theatre Calgary became the resident company of the Max Bell Theatre in the new Calgary Centre for the Performing Arts (now Epcor Centre). In this striking new performance space, both grand and intimate, the company dedicated itself to large-scale productions of classics, period pieces, and musicals.

Dennis Garnhum, Theatre Calgary’s current Artistic Director, was appointed in 2005. Under his artistic leadership, along with company President Tom McCabe, Theatre Calgary has engaged in national and international collaborations with companies such as Soulpepper, the National Arts Centre, and American Conservatory Theater. At the same time, Theatre Calgary’s FUSE Enbridge Play Development Program has led directly to the world premieres of several new Canadian works on the Max Bell stage, including Governor General’s Award nominee Lost – A Memoir. The company has also deepened its commitment to Calgary’s theatre community, presenting an annual co-production in One Yellow Rabbit’s High Performance Rodeo and partnering with Mount Royal University to produce Calgary’s annual outdoor theatre festival, Shakespeare in the Park. As Theatre Calgary approaches its 50th anniversary, we aim to set a national standard for ambitious programming, passionate community engagement, and extraordinary productions.






Structured Abstraction